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Zeiss Compact Primes CP.2 - Lenses with interchangeable mount
The Master Prime lenses open up new creative opportunities, making shots possible that would have been considered impossible before. A widest stop of T1.3 allows shooting in low or available light for more natural-looking shots and a reduction of the lighting budget. In addition, a wide open stop creates the cinematic look of an extremely shallow depth of field.
Features
- Interchangeable mount allows a mix of HDSLR systems with traditional cine cameras;
- Full-frame coverage (24 x 36mm ) for focal lengths 21 to 100 mm, including a 50 mm macro lens;
- Common aperture of T2.1 for the standard lens set;
- No need for adapter solutions anymore;
- Five different mounts available (PL, EF, F, E and MFT mount);
- High stability due to support bracket, which is included for additional lens stability;
- Sweet spot effect with APS-C sensors.
Lens range
| Lens | Aperture | CFD | AOV | Weight |
|---|---|---|---|---|
Super Wide Angle |
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| CP.2 18mm/T3.6* | T3.6 – 22 | 0.30 | 69.0° | 900 g |
| CP.2 21mm/T2.9 | T2.9 – 22 | 0.22 | 60.9° | 1000 g |
Wide Angle |
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| CP.2 25mm/T2.9 | T2.9 – 22 | 0.17 | 52.2° | 900 g |
| CP.2 28mm/T2.1 | T2.1 - 22 | 0.24 | 47.4° | 1000 g |
| CP.2 35mm/T2.1 | T2.1 - 22 | 0.30 | 38.5° | 1000 g |
Standard |
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| CP.2 50mm/T2.1 | T2.1 – 22 | 0.45 | 27.3° | 900 g |
Tele |
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| CP.2 85mm/T2.1 | T2.1 – 22 | 1.00 | 16.70° | 900 g |
| CP.2 100mm/T2.1 CF** | T2.1 – 22 | 0.70 | 14.70° | 1490 g |
Macro |
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| CP.2 50mm/T2.1 | T2.1 – 22 | 0.24 | 27.3° | 1350 g |
Focal length overview
Application
Switching between traditional film and digital PL cine cameras and HDSLR cameras is no longer an issue. The Compact Prime CP.2 lenses’ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect tool for Independent filmmakers, professional still photographers expanding their services or large studios using HDSLR’s as a second camera for TV and feature film productions.