Cameras - high-speed & video
Film and television production supplies
Motion image & data analysis
High-speed data capture
PHONE 1300 539 808
Film and television production supplies
Motion image & data analysis
High-speed data capture
PHONE 1300 539 808
CAMERA, FILM AND TELEVISION SUPPLIES
Zeiss Master Prime lenses
The Master Prime lenses open up new creative opportunities, making shots possible that would have been considered impossible before. A widest stop of T1.3 allows shooting in low or available light for more natural-looking shots and a reduction of the lighting budget. In addition, a wide open stop creates the cinematic look of an extremely shallow depth of field.
Features
- Unique high speed prime lenses with unprecedented resolution
- Virtually no breathing
- Master Prime lenses offer excellent optical performance across the whole T-stop range from T1.3 to T22
- The patented Dual Floating Elements technology eliminated breathing in the Master Prime lenses
- Uniform positions of iris and focus gears
- Built-in Lens Data System (LDS)
Lens range
| Lens | Focal length | T-Stop | AOV | Length | Weight |
|---|---|---|---|---|---|
 |
12mm | 1 : 1.3 | 92.1° | 249mm | 3100g |
 |
14mm | 1 : 1.3 | 83.4° | 224mm | 2400g |
 |
16mm | 1 : 1.3 | 77.0° | 205mm | 2200g |
 |
18mm | 1 : 1.3 | 70.6° | 205mm | 2200g |
 |
21mm | 1 : 1.3 | 62.1° | 205mm | 2400g |
 |
25mm | 1 : 1.3 | 53.8° | 205mm | 2200g |
 |
27mm | 1 : 1.3 | 49.2° | 205mm | 2200g |
 |
32mm | 1 : 1.3 | 43.6° | 205mm | 2300g |
 |
35mm | 1 : 1.3 | 39.4° | 205mm | 2200g |
 |
40mm | 1 : 1.3 | 34.8° | 205mm | 2300g |
 |
50mm | 1 : 1.3 | 28.2° | 205mm | 2700g |
 |
65mm | 1 : 1.3 | 21.8° | 205mm | 2600g |
 |
75mm | 1 : 1.3 | 18.8° | 205mm | 2800g |
 |
100mm | 1 : 1.3 | 14.2° | 205mm | 2900g |
 |
150mm | 1 : 1.3 | 9.6° | 262mm | 4000g |
Focal length overview
Application
The Master Prime lenses open up new creative opportunities, making shots possible that would have been considered impossible before. A widest stop of T1.3 allows shooting in low or available light for more natural-looking shots and a reduction of the lighting budget. In addition, a wide open stop creates the cinematic look of an extremely shallow depth of field.